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Nikon capture nx2 manual pdf free. Nikon CAPTURE NX2 User Manual
Then, apply effects that add a style or mood to the image. Finally, prepare the image for output by resizing and sharpening.
Following these simple guidelines can help improve the quality of your images and provide a more structured approach to enhancing your images.
The print function is both easy and powerful, enabling you to create high quality, fully color managed prints. You can select Print… from the File menu at any time to print the current image, or you can select multiple images from within the Browser palette to create a print package.
If desired, check the Crop Photos to Fit option to ensure the entire printable surface is utilized. Page 27 Check the Use Output Resolution option. If the image is larger than the page, click on the Page Setup button and select the appropriate paper size that the image will fit upon.
Page Printing Contact Sheets Printing contact sheets To print a series of images as a contact sheet, follow these steps: Open the Browser palette and select the images you would like to print. To select multiple files, hold either the Shift key and click on the first and last images of a range, or hold the Ctrl Windows or command Macintosh keys while single-clicking on each additional file you want to add.
Page 29 Click on the Select Layout option, and then in the provided pull-down menu, choose the number of images you would like to display on a single page. Alternatively, you can use the Select Picture Size option and select the size of each picture. Capture NX 2 will automatically tile the available images to fit onto one or more pages. Page Batch Processing Batch Processing Batch processing is the automatic application of one or more enhancements to a series of images.
Typically, a photographer will use a batch process to apply a predefined series of adjustments to several images at once. Capture NX 2 contains even more methods of batch processing than before. You will then be presented with the Batch Process dialog. Click on the Browse… button in the Source section and locate the folder of images you wish to process.
Page 32 Check the Rename box if you would like to change the name of the processed files. Click on the Edit… button to call up the File Naming dialog and determine the naming convention for the processed images. Use the Select File Format pull-down menu to select the file format for the processed images. To select all of the images in the current folder, navigate to the Edit menu and choose Select All.
For the Destination option, choose where the new JPEG or TIFF files should be placed by using the Select folder option to place them in a new folder or using the Use source folder option to place them in To select multiple files, either hold the Shift key and click on the first and last images of a range, or hold the Ctrl key Windows or command key Macintosh while single-clicking on each additional file you want to add. The Advanced section provides you with options for the selected file format.
Start Click to begin converting the files. Page General General Open With Application Choose this option to select the application you wish to use when opening files with the Open With… command in the File menu. Page Intent Intent Use this preference to set the default rendering intent for the various color management features throughout Capture NX 2.
The different rendering intents control how colors from your image are made to fit into the colors that your printer can produce as indicated by the printer profile. Please note: different printer and paper combinations, as well as the different software used to create printer profiles, benefit from different rendering intents. When Point Sample is selected, a single pixel will be sampled when a dropper is used. Grid Color Click on the color patch to bring up the color picker and select the color for the gridlines displayed on top of the image when the Show Grid option is enabled.
Both cache systems speed up the interaction of Capture NX 2 by storing processed information on the hard disk, enabling Capture NX 2 to use the cached information instead of reprocessing the files. The browsing cache is used for the thumbnails created and displayed in the Browser palette, while the editing cache is used for NEF files saved during editing. Page 49 With the default settings, Capture NX 2 will utilize up to 2 gigabytes of hard disk space to store cache files.
If all 2 gigabytes of allocated space are utilized by cache files, Capture NX 2 will begin to replace the oldest cache files with new cache files. You can click on any of the available presets to display the contents in the field editor, duplicate the preset using the Duplicate button, or delete the preset using the Delete button. Page Labels Labels Label Compatibility Use the Label Compatibility pull-down menu if you use another digital asset management software application to tag and sort your images.
Capture NX 2 supports a number of digital asset management software applications. If you select the appropriate option from the pull-down menu, Capture NX 2 will be able to read the label and rating information added by that application. Page Available Labels Available Labels The maximum number of labels available depends on the selection in the Label Compatibility pull-down menu.
You can choose the number of labels to display by clicking on the radio button next to the desired number of labels. Manage Settings The Manage Settings section enables you to determine which settings are displayed within the Load Adjustments sub-menu of the Batch menu. By default, Capture NX 2 provides you with four different workspaces.
Within this tab, additional workspaces can be added or removed and you can determine the shortcuts to assign each available workspace. Please note that, you cannot delete a default workspace.
Chapter 7 — Preferences Workspaces Page 56 Chapter 7 — Preferences This section contains a brief overview of each of the main elements that make up the Capture NX 2 interface, as well as information about the new workspaces, working with multiple screens, using the image window, and working with palettes and menus.
Page Workspaces Workspaces Workspaces are new in Capture NX 2, enabling you to quickly change tasks while displaying only the palettes and windows necessary for that task.
Capture NX 2 comes with four different default workspaces and provides you with the ability to create custom workspaces. Selecting a particular workspace will arrange all of the palettes and windows according to the stored settings for that workspace including the position, state of the palette maximized or minimized , as well as other settings that affect what is displayed within a palette or window.
Page Metadata Metadata The metadata workspace is designed to provide you with optimum workspace to review and add metadata to your images.
Within this workspace only the Browser and Metadata palettes are displayed. Page 61 To create a custom workspace, follow these steps: Arrange the palettes and windows according to your taste.
Navigate to the Window menu and select the Workspaces sub-menu, then select Save Workspace. Alternatively, click on the workspace selector and select Save Workspace. Type in the name of the new workspace and click You can then assign a shortcut to this new workspace by following these steps: Navigate to the Edit menu Windows or If you select a shortcut already in use by another workspace, the shortcut for that other workspace will automatically be set to None.
Page Desktop Please note: Only default workspaces can be applied in this manner. Custom workspaces always are applied to all available screens. Please note: Some workspaces cannot be used in conjunction with another. The following table shows the available combinations. Page Image Window Image Window Image windows are the frames that contain your images and provide you with important data which can help you enhance the image.
Image windows are displayed as long as Capture NX 2 is not in the full screen or presentation modes. Page Soft Proof Soft Proof The soft proof feature enables you to preview the effect of an output profile on your image, approximating the results you can expect from your printer. The soft proof function provides you with controls to preview the use of different profiles. Page 66 Soft proof offers the following options: Target Profile Select the color profile from the list to view the result of the color management system and to preview how the different color management settings will affect your image.
Intent Choose from four different rendering intents. The different rendering intents control how colors in your image are mapped to the colors that your printer can produce as indicated by the printer profile. Page Finding Palettes Finding Palettes Undocking many palettes can sometimes make it difficult to locate that palette. All palettes and windows can be located using the Window menu. The most frequently used palettes and windows are listed directly in the Window menu, while less frequently used undocked palettes and windows are listed in the Undocked Palettes section of the Window menu.
To open a folder of images in the browser, double-click the folder icon in the browser or use the Folders palette, the Open Folder in Browser command in the File menu, or Nikon Transfer.
Using the Folders Palette Using Nikon Transfer You can also use Nikon Transfer to open a folder of images transferred to your computer. Page Navigating Within The Browser Navigating Within the Browser At the top-left of the Browser palette are three buttons that help you choose which folder to display within the browser. Page Filter By Rating To display all images again, click on the checkmark next to the filter by label tool.
Sort By The Sort section determines the primary sorting method for the current folder. After selecting the primary sorting method, choose to have the images sorted in either ascending or descending order using the Ascending and Descending options.
This section provides information about the current folder as well as control over the size of the thumbnails displayed within the folder. On the left side of the browser header is the number of images within the current folder and the number of selected images.
To rename the current file, click once on the file name to highlight it and a second time to change the file name. Page Thumbnail List Thumbnail List The thumbnail list places important information about each image in a column and enables you to sort by each of the columns. In thumbnail list view, the thumbnail size selector offers a choice of three thumbnail sizes. You cannot sort images by this column. Selection Control Points: Now you can selectively edit photographs without the need to manually outline or mask the area for editing.
Auto-Retouch Brush: Capture NX 2 adds an automatic retouch tool to its image editing toolbox allowing users to seamlessly remove blemishes, dust and other distracting elements from photographs while maintaining the integrity of the image. Designed to closely match the way photographers work with their images, Capture NX 2 is easy to learn and creates the highest quality results.
Features continuing from Capture NX version 1. Products and brand names are trademarks or registered trademarks of their respective companies. Hard-disk space: 50 MB required for installation; MB free space recommended.
For a full list of the technical specifications please refer to the product manual. Something went wrong. Please try again in a few minutes. Product variations. This technique is very handy with local adjustments if you want to apply more than one effect to the same selection area. A common trick in the field to even out high-contrast scenes was to use a graduated neutral-density filter.
The overlay view will disappear. In this image, the sky and mountains can be darkened. After you created the Dodge and Burn tools on the previous page, you might want to use the same effect on other images. Rather than manually adjusting the Edit Steps each time, it is a tremendous time saver to create a Settings File of your Edit Step s and apply it using the Batch tool.
This is the only step you want to save. When you are finished, the new setting will be stored in the batch settings list under the Batch icon. Make sure that only item checked in the Save Adjustments dialog is the setting you want to save. The Control Point approach to making selections is fast and intuitive. Creating a selection that would normally require several minutes or more of mask work in Photoshop can be done with a single mouse click in Capture NX2 using a Control Point.
Color Control Points and Selection Control Points both use the same technology, and so both create selections in the same way. The difference between these two tools is that while Selection Control Points simply define a selection in an Edit Step, Color Control Points have a suite of tools built into them for adjusting local color, brightness, and contrast.
A simple rule is that if you are making adjustments to light and color that require a complex selection, Color Control Points should be your first choice. One last thing about Control Points: not every image needs them, and those that do often only need a small number of Control Points. It can be very tempting to start adding Control Points in all your images. Remember, sometimes less is more. Each slider controls a different adjustment parameter.
The most commonly used controls are the Brightness, Contrast, and Saturation sliders, which are visible by default. Selected areas are shown in white. The main slider attached to a Control Point adjusts the size of the effect. The size slider determines the relative distance from the control point that the effect is spread over.
This will give you a feel for how the tool is making selections. Put the control point on a diverse area of the image, and the selection changes dramatically. Notice how the moon top was not selected, as it did not match the pixel information in the sky.
You can add more than one Color Control Point to your image, but it is important to know how multiple Control Points interact. When you place two Control Points in the same Edit Step, they will act to cancel each other out in areas of overlap. This property of Control Points is actually quite useful.
Notice that the face turns black. If you want to create additive effects with multiple Color Control Points where effects are not cancelled out , then use separate Edit Steps A second Color Control Point placed on the face chooses the skin tones, and for your Control Points.
Then the effects will overlap. Control Point behaves as though all its sliders are set to zero. While you cannot add to the area selected by a Color Control point, you can use the minus brush to remove the effect from parts of your image.
These are the protected areas that the Color Control Point can no longer affect. Rather than adding another Color Control Point and trying to manually adjust each slider to match the settings of the original point, you can use the Duplicate command to make exact copies of your Control Points. Place a Color Control Point on your image and adjust the sliders to your liking. As an alternative, you can right- click on the Control Point and choose the Duplicate command from the contextual menus.
Move the duplicate point to where you want to place it in the image bottom. Color Control Points are my go-to tool to recover shadow detail in photos taken of people wearing baseball caps where the face is in the shadows. The best part about using a Control Point for this effect is that it looks totally natural when applied correctly-- and it is ridiculously easy to apply it correctly.
The unfilled circle on the triangle represents the current color of your control point. Turn the wheel to adjust hue, or place the dot wherever you want in the triangle. You can use the eyedropper icon to pick out a color point from anywhere on your image. Click the eyedropper icon and then click an area on your image that has the color you desire. It is very easy to get unnatural looking results.
Click and drag the edge of the color The eyedropper icon lets you pick a wheel to change hue. Opening the Swatches Panel gives you access to commonly used colors. No longer do you need to use a separate pixel editor program to edit your image simply because of a dust spot. The Red Eye Control Point is used to remove the red-eye effect sometimes seen in indoor flash photos. Of course, not all my images will need these tools, but it is nice to know that they are there when the situation presents itself.
It makes removing dust spots absolutely painless. Auto Retouch Brush in 1 Open the image action Notice the dust spots in this image. Adjust the size of the Auto Retouch Brush using either the size slider that appears beneath the toolbar, or by After Auto Retouch Brush using the keyboard shortcuts [ or ]. Repeat for additional dust spots, offending seagulls, or anything else that is small and distracting. Tip: Keep your sensor clean One way to get rid of dust spots is to have a clean sensor.
I recommend the Copper Hill method. Before We all have shots where our subject looks like the devil with red eyes. Use them in the situations where they are warranted. Obviously, if your horizon is level in the image then using the straighten tool makes little sense. Use the Straighten tool to correct tilted images. Drag the Straighten Tool across the horizon line or other reference point. Some lenses, especially super-zoom lenses and wide-angle lenses, will produce images with slight distortions.
You can use the Distortion Control Tool in Capture NX2 to correct distortions in your images caused by lens aberrations. Note that white areas appear around the image. You can change the fill color using the Fill color tool in the Edit Step. Drag the slider to the right to correct barrel distortion.
One way to use the Crop Tool is to help improve your compositions. Remember, the Crop Tool does not resize your image. Use constrained cropping to maintain a particular aspect ratio for your image. Use the in your image. As anchor points on the corners and sides of the crop frame to resize it.
Click the Enter key on your keyboard or double- click inside the crop area to set the crop. You can remove a crop at any time by deleting the crop step from the Edit List. Not to worry; the effect will stay applied in exactly the same place you originally put the Control Point. Warning: Placing Control Points after cropping If you place a Control Point on your image after you have cropped it, and then later decide to delete the Crop Edit Step, the Control Point will not only move in your image, but its effect will be replotted, as well.
I strongly encourage you to crop after all Control Points have been added to your image to avoid issues. In addition, if you install 3rd- party filters, like Nik Color Efex Pro, these items will be displayed in the Filter Menu. This of course allows you to apply Filter Effects globally or locally. This filter will darken the complementary color to the color you choose. For example, a yellow filter will darken blues in your image and lighten yellows. This is a filter that I use very little, if at all.
Colorize Use the colorize filter to overlay colors onto the image. Use the color selector or eyedropper tool from the Colorize tool to choose the desired color. Black and White Conversion Use this filter to convert color images to black and white. The filter option works in the same way as the filters in the monochrome settings in Picture Control. These filters will show up in the Filter Menu, and are also applied in Edit Steps. The filter options you see will depend on the version of Color Efex you have installed.
By now, you have probably noticed that when you disable in-camera sharpening in Picture Control, your image looks quite soft. In Capture Sharpening, you need to consider our camera. Second, you must also consider our subject matter. Output Sharpening happens as the very last step in the output stage of your workflow and takes into consideration the size and destination of your image.
A small image destined for the web will be sharpened much differently than a 16x20 inkjet print. Capture and Output Sharpening are applied as global adjustments. In between the two sharpening steps, it is an option to perform some selective sharpening or blurring of our image to get a desired effect. Noise Removal Depending on your camera and how you use it, noise may or may not be an issue. Every camera manufacturer has its own approach to noise removal, but one thing is constant; removing noise can cause a loss of fine detail in images.
Your sharpening settings will be impacted by any noise removal settings you use, because these two processes are effectively working against each other. Therefore, it is important to be able to adjust sharpening settings in the context of noise removal. In my opinion, leaving noise removal up to the photographer is a good thing.
If you plan on using any of these programs some of which are quite good , do not sharpen your image at all, and do all your noise reduction and final output sharpening in Photoshop or Photoshop Elements. First, it provides excellent control over image sharpness. Second, Capture NX2 automatically applies USM only to the luminosity channel of your image, reducing the appearance of color shifts and other artifacts.
The third, and possibly nicest feature of sharpening in Capture NX2 is the fact that sharpening becomes a non-destructive process. While there are ways to sharpen non-destructively in Photoshop, those techniques are far more complicated and require bitmap layers that can easily double the image file size.
Think of it as a master volume control for USM. Radius: This slider changes the distance over which the USM effect is applied. A small radius sharpens fine detail, a large radius sharpens overall shape. Threshold: The threshold slider adjusts the sensitivity of the USM tool to differences in tone values between adjacent pixels.
The value you enter is the number of tonal steps that any two adjacent pixels must differ by in order to be affected by the tool. A threshold of 0 would sharpen just about anything in the image; a threshold of would sharpen almost nothing. Make sure Picture Control sharpening is set to zero 0. Clockwise and then adjust the from top left: No sharpening applied; over-sharpened image; proper Capture intensity slider to get Sharpening.
That to your hard drive and way, I can quickly choose between Neutral, Standard, and then use the Manage Vivid presets from the batch icon and turn off sharpening at Settings tool from the NX2 preferences options to the same time. Settings files can only be opened from within Capture NX2 when an image is active in the Edit Window. Another sharpening technique uses the High- Pass filter to enhance image contrast. To apply high-pass sharpening: 1 Open an image file.
Your image will turn gray. NR blurs noise, sharpening enhances noise. Noise starts to appear in images as you increase the ISO setting in your camera. Different sensors have different noise qualities, but in general, noise can occur in either the chrominance color part of your image or the luminance detail part of your image.
Note the mild chrominance color noise and moderate luminance noise grain. The quality setting will greatly impact the amount of time it takes to process the Noise Reduction filter. The two adjustment sliders seem simple enough: Intensity and Sharpness.
The sharpness slider works by restoring detail in the luminosity channel, while the Intensity slider blurs both color and detail. People obsess about noise and noise reduction. I suggest that Noise Reduction be applied sparingly. Consider that just about every digital camera on the market today provides images that are significantly cleaner than film ever was, even at high ISOs. When should you use Noise Reduction? When can you skip Noise Reduction? If you apply NR to your image, consider using a lower amount of USM, with a higher radius and threshold than you would normally use.
This setting will help prevent your USM step from re-sharpening all the noise you just tried to remove! Intensity is on the left side of the table, and sharpness 5 settings are listed at the top.
The intensity slider functions to blur image data, especially in the chrominance color channels, which helps to 10 remove the appearance of noise. The sharpness slider reduces the blur from the intensity slider, but it does so primarily from the luminosity channel. The trade off of most NR tools is that it is easy to remove color chrominance noise 25 without harming image sharpness; if there is luminance noise grain , removing it destroys detail significantly.
Usually, there are areas in images that have detail we wish to preserve, and other areas which are out of focus or where sharpness is not critical, like skies.
Make sure sharpening is turned off and that you have not performed any sharpening on the image. Adjust the intensity slider so that the color noise is removed. The image will look smeared. Optional: Selection Control Points are very useful for adding NR to skies at a strong level Use the Opacity Mixer to reduce Luminance opacity until the while leaving the rest of image has detail again.
Note the chrominance and luminance noise. Sharpening will tend to counteract this blur. You may want to reduce the radius slightly if you get major halos in the image. Adding noise reduction is always at the expense of some image detail, so use it sparingly. Nikon D2Xs, For more on versions, refer to page Typically, that means making a print, but sometimes it means making a small JPEG for the web, or an image that I can send to friends or clients via email.
How you optimize your image for its final output depends on the size and quality of the image, as well as its final destination.
Most often, I resize my images for printing them without cropping them first. That is, I keep the image in its native aspect ratio and either make the image smaller or larger, depending on the print size. There are two methods for resizing images: resizing while resampling and resizing without resampling.
Resampling allows you to set the image resolution by interpolation while also scaling the image. When you use resampling, the dimensions of the image, in pixels, changes and the file size will increase or decrease. Resizing without resampling will keep the pixel dimensions and file size constant; resolution will change depending on the size you make the image. The method that you choose will depend on the final output size and destination of your image.
The other side of the image will be adjusted proportionally. Resizing without resampling will change the image resolution but keep the file size in pixels the same as the original. Resizing with Resampling will allow the File Size to grow or shrink, depending on the image size. Note that the original The most common use of the Crop Tool is to produce an image that has a particular aspect ratio. Common picture frames, however, come in the aspect ratio 8x10, 16x Set the aspect ratio to 8x Use portrait orientation for vertical shots; landscape orientation for horizontals.
The other field will scale to 8 inches. This is why you need to combine a crop with a resize step in Capture NX2. Before you try this technique, it is critical that you have a calibrated monitor and you have installed the paper color profiles for your printer. The toughest part about soft-proofing is remembering out what the original image looked like. This technique is a great way to ensure the best possible soft-proofs. This creates a copy of your image.
At least I can be ready for that when I go to print the from the Target Profile image! Choose either relative colorimetric or perceptual rendering whichever you think looks best.
Make sure black- point compensation is enabled. Understand that in some cases, a perfect match may not be possible due to the gamut color space of your printer. To overcome the sharpness loss when printing, I recommend another round of sharpening, often referred to as Output Sharpening. As a general rule, an image properly sharpened for print will appear to be over-sharpened on the screen. This will add a High Pass filter into the open Edit Step. When you are saving an image for the Web or email, you need to make it smaller and convert it to the sRGB color space.
This procedure will do just that. Use relative colorimetric intent and black point compensation checked. The print dialog will open. Otherwise, Capture NX2 will try to scale the image to fit the paper. This will allow Capture NX2 to control the color settings. Higher quality settings result in a larger file size. In the JPEG save options dialog, you can set the compression amount to vary file size. You can change this directory in the Capture NX2 preferences.
Use the Open With Certainly, Capture NX2 puts a tremendous number of tools at your disposal. The other way to speed up image processing in Capture NX2 is to take advantage of its automated presets. Other images require special handling, but the majority of my editing steps happen in mere seconds. In just one or two clicks of my mouse, I can apply Edit Steps that contain my most commonly used adjustments. The Save Settings dialog box will open.
I save my settings to the default location. Check the box next to the step you want to save. Make sure all the other steps are unchecked. This is useful for making changes to Picture Control Settings without having to expand the Develop Section.
Make sure this is the only option selected, unless you want to save other parameters. You can access all your saved settings from the Batch Icon in the Edit List. All you need to do then is make the adjustments to the Edit Steps as you see fit. The Settings preferences dialog will open. Note: If you move the location of a Settings File, it will no longer appear in the list. This will permanently delete the file from your computer, so use this option with care!
By using the versions tool, you can store multiple instruction sets for each NEF. For example, you can save different crops, different image sizes, or different processing effects into a single NEF.
Look for blue text to link you back to pages in Section I where you can refresh the use of a particular tool or technique. Portraits usually require soft lighting and low contrast. Colors should be slightly muted in formal portraits. These settings accomplish that. Control Points will let you easily add fill lighting effects. After 7 Drag the point created on the chroma curve downward, and the widen it with the width slider. This links a second blur step along with the first one.
The skin softener effect works by linking two different Gaussian Blur effects into the same Edit Step. Note: Perform this step after Capture Sharpening. Move up 4 Click two points on the Master Lightness Curve as shown in the illustration. Then keep moving the slider to the right about 5 more units. Boost the saturation of reds and greens in the Chroma channel editor. Widen them with the width slider.
Move the master chroma slider up to an output level of 5. If the image appears over- sharpened, reduce the Amount slider. To selectively remove haze from a scene, you can use a Color Control Point. Use duplicate Control Points to fill in other areas as needed. This is a very subtle effect, but it can add some clarity to images that have large, distant objects in them. This is the basic formula for adjusting images of wildlife. I treat wildlife images as sort of a hybrid between landscapes and portraits.
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